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Being Canadian, I don't have the same baggage about family gatherings at Thanksgiving as my American friends. But I do enjoy family gatherings and we will have some extra company as well. One friend from Brazil and 2 from Malawi.
It is funny how she has no patience to do cross-stitch but was able to create and join all these swirls into a bracelet. I guess we all have patience for what we really like! No photos of DD the older's stained glass or graphic design because nothing came home. Maybe later in the week.
I love the new linen I'm dressing the loom with. I'm making a table runner and it will look so good on the black table we have in our living room. This is really a peaceful green. I've had lots of time at the weaving studio. The girls art camp is near the studio so I have some extra weaving time this week. I threaded all 420 heddles yesterday and sleyed the reed today and tied up the pedals. I will wait now to see if I did everything right before starting the weaving. I'm doing a huck pattern using the same green as weft. I did have some excitement while starting yesterday. I had to add 50 heddles to two of the frames. Cherri tried to show me a way to thread them on but I hadn't paid attention to the direction the heddles were facing well enough so it couldn't be done, so I had to put heddles on by hand. I mention this because even though I couldn't get the threading technique to work at first, I had to use it later because I didn't do a good job keeping the tops and bottoms of the heddles straight as I put them on. As I started threading heddles I discovered that some were crossed. I should have realized that it must be me because I had used the same frames for the baby blanket, but at first I wouldn't admit it. After finding three crosses and realizing that I wouldn't have enough heddles if I had to skip all the problems, I decided I had to fix it. For those who might find themselves in the same predicament, here is what I did. I tied together all the heddles I had threaded so they wouldn't slide off. Then I tied one end of a piece of yarn to the frame and after pulling out the top heddle rod, I started sliding the tops of the heddles off onto the thread until I had removed all the crossed heddles. I put them back on a few at a time to be sure the were straight, and when I reached the good part, I was able to easily slide the heddles on with the thread next to the rod and then pull the thread out. I wish now I had taken pictures, but at the time I was embarrassed that I had been so careless. The main thing is, it worked, and now I have even more appreciation for how the loom works!
Sunday, DD the older and I finished her bedroom painting. She really wanted to get rid of this peachy colour. So here is the room all taped up and ready to go. We had to start with primer so the peach wouldn't affect the blue. After the first coat of blue DD was agitated by all the spots that weren't perfectly covered so I told her to put a bit of blue tape by the bad spots after the paint had dried for a day, so we would be sure to get them with the second coat. The room looked diseased! My husband thought she was maybe trying to see what it would look like Dalmatian-style, since that was her favourite movie as a child. I never realized what a perfectionist she was. I don't recommend anyone doing the same thing by the way. It took some time and was occasionally awkward to get the tape off, and a couple of times it pulled off the new paint! And here it is done, but without the new Roman shades that are on order, or the furniture back where it belongs. The main thing is, the painting is done and she is very happy with the colour.
The ribbon doesn't do anything for me, but I really like the single strand of rainbow floss. I used the sequencing technique taught by Catherine Jordan at my EGA chapter back in January. It was a departure for me to use a single thread in something like this because usually I like really full coverage in a stitch, but I like the delicate look of a single thread in this case.
As you can see, I didn't do much stitching, but I've been reworking a gown that my SIL will be using as a wedding dress. I had to remove 3 full length lace panels and sew on a ribbon with pearls and beads. I've also been weaving. I'm up to 30 inches on the baby blanket, no photos since it really looks no different than my last post, just more on the front roller. And I've added a bit more to my tapestry sampler. I'm working from 'Tapestry Weaving' by Kirsten Glasbrook. I'm not doing all the rows, just a quick test, and my colours are totally different, but it is helping me get a feel for the technique.
These photos are before framing, but I did frame these two pieces from Colonial Williamsburg that I stitched up for my SIL. Quick and easy, which was good for evenings watching mysteries on TV. I've discovered you can't do extensive counting while watching a good mystery - maybe while watching a bad one, I haven't tried that.
This project is from way back in September 2007. I decorated the flap of a neat, fold up embroidery blanket. You put it on your lap or table to provide a clean working surface and it is white or dark (green in my case) depending on what sort of background you need to work on. I've had the stitching done since last year and finally stitched it up on Saturday. You can see the fancy topstitching I did with the machine - I haven't used it much so the fancy stitching is still fun. It folds up into a neat little packet that easily fits in an embroidery bag.
My starts are weaving projects - although I will be starting some embroidery soon as well. I was able to get to the weaving studio this week and got a good start on the baby blanket I'm making. Of course it didn't turn out quite as I expected - I thought the coloured weft crossing the white warp would be lighter, more like the white weft crossing the coloured warp. But I am happy with the result and it will be a soft, washable blanket in the end. I am doing double weave so there are two layers, one side open, so when I'm done it will open up to a 48 inch wide blanket. Because I am just doing plainweave, I have a chance to concentrate on my edges this time and work on tension. In retrospect, I should have done some practice weaving to get comfortable with the tension of this particular yarn, but after over a foot of weaving, I'm not starting again.
I also found a small wood frame loom that belongs/belonged to DD the younger. I've taken it over and I'm working through techniques in a tapestry book I have out of the library (sorry I'm too lazy to walk to the other room to get it right now, I'll tell you the title later). Eventually I want to do real tapestry weaving, but I'm learning from my TAST experience and making a sampler to practice things first. The pale blue is the header so it isn't part of the piece - although I have been know to make some poor colour choices. Not much yet, but I'm learning, which is the main thing.